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The Swannanoa Sessions

by Daniel Ullom

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1.
Intro 00:09
2.
Wild Horse 02:21
3.
4.
5.
Interlude #1 00:35
6.
7.
8.
9.
10.
11.
Grey Eagle 03:02
12.
Interlude #2 00:44
13.

about

As a mandolin player, not knowing the difference between old-time and bluegrass camps can mean a lonely time. If you get fired up by an old-time tune and transcend the melody for a few bars, you’re likely to watch the pickers slowly walk off without a word. Or if you decide to jump on a melody with a bluegrass picker, they might think you’re stealing their thunder and push you off stage.

It doesn’t have to be this way, though. The mandolin can sound just as at home in an old-time stringband as it does in a hard-driving bluegrass band. This album celebrates the music where these two camps meet and showcases how I think the mandolin fits into it all.

credits

released July 29, 2022

The Band:
Daniel Ullom--mandolin
Nick Dauphinais--guitar, vocals (4, 10, 13)
Derek Vaden--banjo, vocals (13)
Celia Millington--Wyckoff-bass, vocals (4)

The Fiddlers:
Rob Fong (2,7,11)
John Duncan (3,13)
Tatiana Hargreaves (4,9,10)
Lindsay Pruett (6,10)

The Mandolin Swarm:
Daniel, Derek, Nick, Celia, Tatiana, Lindsay, Wayne

Daniel plays a 2018 Wienman F5

Produced by Tatiana Hargreaves
Recorded in Celia’s living room, May 2021 by Nick Dauphinais
Mixed & Mastered by Joe Bass Dejarnette Studio 808a
Additional Mixing by Boathouse Studios
Photography by Carter Geigerich
Cover Art by Gina Dilg

Thanks to Wes & Will Wienman, Wayne Millington, Drew Matulich & the Bywater crew, the Dryman Mountain Development, Asheville Potluck, Geoff & Nancy, and my first mandolin teacher Dennis Peterson. Special thanks to my parents & siblings, who endured countless hours of fiddle tunes. Extra special thanks to Emma Rast for her constant inspiration.

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all rights reserved

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about

Daniel Ullom Puyallup, Washington

Daniel Ullom is a mandolinist who plays bluegrass, old-time, folk and American roots music. He's made multiple homes across the USA, but currently lives in Washington state.

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